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Showing posts with label MIZA. Show all posts
Showing posts with label MIZA. Show all posts

Saturday, July 2, 2011

MIZA: 23th March


Mich Ihnen Zu Antworte_6 (me answering you)  
Hello how are you (English) and then you reply:
fein danke ihnen und sie (German)

Mutability: Place & Time?
Your Landscape Mine or Ours?
Urban vs Rural? 
One Sky Different Hemisphere?
What is times relentless melt?
   
Susan Sontag says: "To take a photograph is to participate in another person's (or thing's) mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time's relentless melt.  

MORTALITY:  A state of being subject to death • MUTABILITY: Liable to Change • VULNERABILITY:  to be harmed or influenced physically or emotionally
Liza

Fabian

Thursday, May 19, 2011

MIZA: 20th March

Mich Ihnen Zu Antworte_5 (me answering you)  
Hello how are you (English) and then you reply:
fein danke ihnen und sie (German)
  Meaningful or Meaningless?
Metaphorical?
What conversations and issues arise from this?   
John Berger says: "In every act of looking there is an expectation of meaning."   [Berger and Mohr, Another Way of Telling, 1982_www.artlex.com]  
MEANING:  What is conveyed or signified by something; its sense or significance. An interpretation. The viewer creates meaning in each and every image • METAPHOR: A word or thing that ordinarily designates one thing is used to designate another, thus making a comparison. One thing representing another; a symbol; an analogy; a similie
Liza

Fabian


 

Sunday, May 15, 2011

MIZA: 18th March

Mich Ihnen Zu Antworte_3
(me answering you)

Hello how are you (English) and then you reply:
fein danke ihnen und sie (German)


  Male / Female?
What  identities are represented by these juxtaposed artifacts?
How do we know or presume this and why do we make these assumptions?
What conversations and issues arise from this? 

IDENTITY: being who or what a person is_ and the characteristics that determine this • ASSUMPTION a thing that is accepted as true or certian without proof • JUXTAPOSITION: placing side by side/close together for contrasting effect

Liza

Fabian

 

Sunday, May 8, 2011

MIZA: 14th March

Mich Ihnen Zu Antworte_3
(me answering you)

Hello how are you (English) and then you reply:
fein danke ihnen und sie (German)

  Interpretations, prohibitions, synergies and vacancies?
What are the similarities and differences of the representation of the symbol and the 'space' it could occupy? 
What conversations arise from this? 

PROHIBITIONS: the act of forbidding something • SYNERGIES: the interaction/effects of 2/more things when combined • VACANCIES: unoccupied, empty space
JUXTAPOSITION: placing side by side/close together for contrasting effect 
 
 
Liza

Fabian  
 

Thursday, April 28, 2011

MIZA: 09th March

Mich Ihnen Zu Antworte_2
(me answering you)

Hello how are you (English) and then you reply:
fein danke ihnen und sie (German)


  Despite the banality of these 'spaces', what juxtapositions are evident?
What do the similarities and differences say about the Photographer? 
What conversations arise from this? 
 BANAL: lacking in originality/obvious/boring • JUXTAPOSITION: placing side by side/close together for contrasting effect

Liza

Fabian

(for introduction to this project)

Wednesday, April 27, 2011

MIZA: 25th January

Mich Ihnen Zu Antworte_2
(me answering you)

Hello how are you (English) and then you reply:
fein danke ihnen und sie (German)

  Despite the banality of these objects, what juxtapositions are evident?
What do the similarities and differences say about the Photographer? 
What conversations arise from this? 
 BANAL: lacking in originality/obvious/boring • JUXTAPOSITION: placing side by side/close together for contrasting effect 

Liza

Fabian

introduction...Mich Ihnen Zu Antworte

Hello how are you (English) and then you reply:
fein danke ihnen und sie (German)

Around the 25th January...
I invited Fabian Pflaum (FP) via email to collaborate with me on this project. Most of the initial emails we chatted about the ideas and intentions of "Mich Ihnen Zu Antworte" (MIZA) project and FP asked relevant questions that 'forced' me to think, articulate and formulate my ideas and intentions. I am going to share these numerous conversations as one blog entry (edited and revised) hoping that they will provide an outline to this project... and then I will post our 'visual' conversations, one by one as they happen.

  •

THE INITIAL CONVERSATION
Where is this going too... anywhere!
 
LIZA: I am so excited by this exchange/project... keep the ideas flowing_ don't really know where this will lead me/us.

FABIAN: Please explain more about the aim of it.

LIZA: This project is initially inspired by the writings of Susan Sontag (SS) from her book On Photography. SS writes that Photography functions as "a vehicle to certify experience" and is a means of "converting experience into an image, a souvenir" (2002:09). SS also refers to Photography as "a grammar and even more importantly an ethics of seeing" (2002:11) and continues to state that "it would not be wrong to speak of people having a compulsion to photograph: to turn experience itself into a way of seeing" (2002:10).

LIZA continues: What interests me about these writings are the words "experience", "grammar" and "ethics of seeing". I think of images like/as 'text'_ what they include and exclude (more important) speaks... but more specifically I question: Do they 'speak' more of the the experience of the photographer? 
Of course this project is about that investigation... I don't know the answer.

FABIAN: What is the intention behind it?

LIZA: You sound like a supervisor_ which is a good thing. I intend to use the collaborations in an exhibition sometime next year, which also forms part of my Masters. I want to 'show' how the Photographs  'tells/speaks about' our experiences_ the private made public. I hope that these photographs will exhibit the 'juxtapositions' of our lives, our culture, preferences and even our gender_ same things taken at different places, similar photographic structure/language/composition, but the objects inform our male/femaleness, SA/German_nessness (as Bwalya would say) etc. These images will probably also test our Photographic abilities_ the ability to appropriate, and use a 'prescribed' or 'copied' photographic language.

FABIAN: Do you want me to do the same Photo in my world?

LIZA: Yes definitely. What I am thinking is this. I take a photo here in South Africa via my BlackBerry and email it to you directly after it is shot. You 'copy' it in your context, trying to keep similar objects and composition but defined by the objects and places around you... something like that! I also want the camera device to be readily available and 'non-technically' focused .

FABIAN: I don't have a cell phone with a camera, but I guess it can be compact cam as well? Do you want me to re-connect the content in my surroundings.

LIZA: Yes please as much as you can. Compact anything will work_ lets just try it.

FABIAN: Do you want to see the different cultural influence? Do you want to focus on cultural connotations? Style? Colour?

LIZA: Yes Yes Yes_ as much as you can without being self consciously so_ I am curious_ I think that this will 'happen' anyway.

FABIAN: Or is this about individual non verbal communication?
LIZA: Yes. It will in a sense be non verbal but will communicate a lot about each other.

FABIAN: How are you going to evaluate the results.

LIZA: I love your questions... that's exactly what I hope to address and feel the evaluation will come as I go along. Don't have a set criteria. I know I want to exhibit them and eventually put them on my Blog_ as a way of sharing our on going conversation with others and hope (always do, because it doesn't happen freely) that the readers of the blog will comment and create more conversations around our visual dialogue. Thinking it is as if I am saying in English: "Hello how are you" and you reply in German: "fein danke ihnen und sie (fine thank-you and you)"

FABIAN: I will try not to think much about the content and reflect the pictures your going to send from my point of view/part of the world. Do you still share breaks with Bwalya, eating couscous with avo from your white microwave?

LIZA: Nowadays Bwalya and I share cooked meals from the new staff Cafeteria at the Campus. See Image 25012011(011).jpg_ Sent via my BlackBerry from Vodacom - let your email find you.



Saturday, April 23, 2011

meet...Fabian Pflaum

 FABIAN PFLAUM  
Image:Liza 2010
Fabian Pflaum (FP) currently lives and works in Hamburg, Germany.
 FP completed his 4th year, here @ the Photography Department in 2010. 
 •
Amoungst other projects, Fabian was involved in the photographic documentation of the re-roofing of City Campus. His images now form a valuable historical account of this DUT project_  
I will make another blog entry on this.
(click below to links on FP from osmosisBLOG)
  
I have been communicating with FP with images. 
We don't talk or verbally explain ourselves. 
I usually email him an image via my Blackberry and he responds to it, attempting to duplicate it from his context. Over the past few months we have had many interesting 'visual' dialogues that make commentaries on the *juxtaposition of our personal lives.

*  Juxtaposition means placing things side-by-side. In art this usually is done with the intention of bringing out a specific quality or creating an effect, particularly when two contrasting or opposing elements are used. The viewer's attention is drawn to the similarities or differences between the elements_ http://drawsketch.about.com/od/drawingglossary/g/juxtaposition.htm

I would like to share these with you but before I introduce that project_
Mich Ihnen Zu Antworte (me answering you_ translated by Google translate),
I would like to introduce you to some of Fabian's views on Photography.

I asked Fabian 10 questions...  
and this is what he had to say (unedited):

1:   What does Photography mean to you?
Greed for aesthetics and the peace of viewing.

2:  What genre of Photography are you passionate about? 
 > Social Documentary: I like the stories our world offers. They have to be told. 
> Landscapes: It gives me peace and let's me be what I am. Time is soft on it!

Portraiture: I like to take portraits specially of people I know. It always brings out a new angle of a person.

3. What aspects of Photography do you love?
It fascinates me to reduce visual information into one 2-D still. But for me photography is a lot about the aesthetics: A photo is
frozen everydays aesthetics with a lot of information on several layers. My first approach is always an aesthetic one and then I read or try to read all the information it transports. I attached two pictures I found in a german online news magazine (spiegel.de) as an example - it might be easier for you to understand what I mean. These pictures are so beautiful and intense - I love them!





4. What aspects of Photography do you find challenging?
For me it is challenging to deal with my own expectations and often, to fall short on them.


5. Where do you find inspiration?
In the motive.
 

6. If you could share one thing with others who are also interested in Photography what would it be?
Maybe my favorite picture. At the moment. This record cover:





7. Name Photographers that have influenced you.
Uli Prechsl; Xavier

8. List  3 words that describe your experience as a student.
Interculturality, Friendship, Patience

9. List 3 words that describe how it feels to be engaging outside DUT.
-

10. What advice would you give students who are embarking on studying to become professional Photographers?
Go out and shoot! Build your own opinion, don't listen too much to others and do not try to copy your role models style! Travel, see places and meet people and take your camera with you.